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Paris fashion houses maintained a cabine of fourteen to eighteen models, and there tended to be a "house style" of modeling, although each model was a different physical type to represent the range of clients looks. It was therefore, revolutionary when, in thelate 1950s, the British designer Mary Quant first showed on photographic mannequins who danced frenetically to jazz music and then froze in graphic, static poses on the catwalk. The 1960s to the Early 2000sQuant laid the path for the innovations of the 1960s when the development of ready-to-wear required a different kind of presentation. Now models were required to dance, act, and clown on the catwalk. In Courregess futurist collection of 1965, grinning nude model childrens danced in experimental kinetic movement to musique concrete. Marie Helvin recalled that haute couture modeling in the 1960s and 1970s was about contact with hand-made, one-off clothes, whereas showstopping modeling techniques, photogenic beauty, and the showgirl instinct were the prerequisites of the ready-to-wear show.

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